An ancient tradition in artwork whether in the east or west is the Crucifixion of Our Lord with Our Sorrowful Mother and St. John at the foot of the cross. All others, including St. Mary Magdalene are not depicted. The intent of this portrayal can only be to show the intricate connection between Our Lady and John and the words of Our Lord from the Cross, "Woman, behold thy son, John, behold thy mother."
Architecturally, this also was depicted in the ancient rood screen, so long lost in our churches.
The current degenerates and minions of Bergoglio in the Vatican have other ideas.
From
Zenit:
The postage stamp issued by the Philatelic Office for the
occasion depicts in the foreground Jesus crucified and in the background a
golden and timeless view of the city of Wittenberg. With a penitential
disposition, kneeling respectively on the left and right of the cross, Martin
Luther holds the Bible, source and destination of his doctrine, while Philipp
Melanchthon, theologian and friend of Martin Luther, one of the main
protagonists of the reform, holds in hand the Augsburg Confession (Confessio
Augustana), the first official public presentation of the principles of
Protestantism written by him.