"Today Our attention is directed to one of the most common of them (abuses), one of the most difficult to eradicate, and the existence of which is sometimes to be deplored in places where everything else is deserving of the highest praise; the beauty and sumptuousness of the temple, the splendor and the accurate performance of the ceremonies, the attendance of the clergy, the gravity and piety of the officiating ministers. Such is the abuse affecting sacred chant and music."- St. Pius X, Pope
Oremus Pro Pontifice Francisco
“As for the use of the 1962 Missal as a Forma extraordinaria of the liturgy of the Mass, I would like to draw attention to the fact that this Missal was never juridically abrogated and, consequently, in principle, was always permitted.” -- Pope Benedict XVI
Killing in the Name of God is Blasphemy
-
Comments from this morning's mass at St. Martha House...
*“Doing good” is a principle that unites all humanity beyond the diversity
of ideologies and relig...
Colloquium Scholarships apparently still available
-
The deadline is June 1. Write to Arlene Oost-Zinner at
programs@musicasacra.com
I understand you have to convince her that you are worth the money.
I won't...
Sinful priest, valid sacraments
-
Yesterday, I posted a Catholic Dilemma that was published a while ago in
the Catholic Herald on The priest, sin and saying Mass. In these articles I
have...
Another Confirmation Mass with Archbishop Sample
-
Loyal reader, commenter, and friend of this blog, Bill Sandoval and his
wife Suzie, attended a confirmation Mass celebrated by Archbishop Alexander
Sample...
Come to Walsingham with the Latin Mass Society!
-
Congratulations to those who have completed the Chartres Pilgrimage this year, who will be nursing their blisters as they try to return to the world of work....
CRAZY-EYED V2 VISIONS (Part 2a)
-
We start with a clear vision:
There were those who sought a decentralization of the Church, power for the
bishops and then, through the Word for the "p...
Who is the Holy Spirit?
-
For a podcast homily on the Holy Spirit, click on the image above. Filed
under: The Main Blog Tagged: charity, faith, Holy Spirit, hope, liturgy,
Trinity
Were the Apostles confirmed at Pentecost?
-
*Solemnity of Pentecost*
*And suddenly there came a sound from heaven, as of a mighty wind coming:
and it filled the whole house where they were sitting...
Letter #71: The Choice of a Word
-
The Choice of a Word “The consecrated woman is a mother: she must be a
mother and not an ‘old maid’! Forgive me if I talk like this…” (“La
consacrata รจ mad...
Holy Week Masses
-
Thanks be to God for a lovely and meaningful Palm Sunday Processional and
Mass this last Sunday to begin Holy Week! Our next Holy Week Mass: Sung
Easter Ma...
On the last Sunday of Advent, the first word of the Introit or Entrance Antiphon in both the Ordinary and Extraordinary Forms is "Rorate." Many of you are already familiar with the Advent Prose, Rorate Caeli from Mass (if it even sung) or from the new music player in the background. The prose is four verses and is not the same as the Introit, though they both take up the text in Latin, "Drop down ye heavens from above and let the sky rain down the Just One"
The Introit, all the Propers for that matter, can be sung in their intended Gregorian melismatic chant or for those without the resources or ability, they can be sung in psalm-tone or even recto-tono. These propers can also be sung in polyphony. In fact, William Byrd wrote the entire Missa Puer Natus, the Third Mass of Christmas to polyphony; could you imagine that with his Mass for Five Voices sung on Christmas morning?
As mentioned in my "This is the Record of John" post below, I had the distinct opportunity of singing under a talented director, organist and teacher, Mr. Peter Bishop of the Toronto Oratory. When I say teacher, it is because I would not be doing the liturgical work which I am doing today without his boldness to "take a chance" on a neophyte those many year ago (25), his patience with me and the confidence he showed in me by eventually asking me to chant the incipits and psalms of the propers, of course, it might have been because I outlasted all the other men at the time too. Eventually, he taught me enough so that I could even sing a motet with one on a part; not too bad for someone who did not have the opportunity to study music at university, but because of what I learnt from Mr. Bishop, I was even able to sing with the Victoria Scholars, Toronto's male choral ensemble and one of the best in Canada. I am grateful to Peter for showing me how to use the talents given to me by God and the skills learnt under him to serve the sacred liturgy.
Thanks to YouTube, you can hear the work of Peter and the choir with 25 uploads. In keeping with our Advent observance, here then, (you'll want to turn the music player off above) is Rorate Caeli by Francisco Guerrero sung by the Toronto Oratory Choir under the direction of Mr. Peter Bishop.
No comments:
Post a Comment